Top Ten Tuesday: Books On My Fall 2021 To-Read List

Top Ten Tuesday is a series hosted on That Artsy Reader Girl! This week, we’re looking ahead to a season of books I hope I’ll finish (feel free to poke me until I do)…


1. Within These Wicked Walls by Lauren Blackwood

If you’ve read my incoherent babbling about Jane Eyre, you know I have a taste for the gothic, and Lauren Blackwood’s debut, an Ethiopian-inspired fantasy set in an old castle beset by a curse, looks poised to check each and every one of those boxes. Atmospheric, eerie fantasy in step with House of Salt and Sorrows and Down Comes The Night (which I also have to get to!) has seen a surge lately, and I couldn’t be happier to see this trend culminate in a fresh, diverse take on a time-honored setup. Sketchy manor, possible ghosts, and romantic tension? I’m in.


2. Great Expectations by Charles Dickens

I’m still getting a taste for my opinion on Dickens’ canon. A while back, I read Our Mutual Friend, which I loved up until the last hundred pages, and A Tale of Two Cities, which I enjoyed all the way through, if rather mildly. Great Expectations, his penultimate complete novel, contains one of his most iconic characters in Miss Havisham and, in general, gets talked about a lot, so I’m anxious to see where I stand on it. It’s been too long since I’ve picked up a 19th-century doorstopper, frankly.


3. If We Were Villains by M. L. Rio

Dark academia is very popular at the moment, but I think there’s a lot of potential in a similar subgenre, one with the psychological toll of the performing arts in the spotlight instead. M. L. Rio’s literary thriller follows a clique of Shakespearean actors reeling from a murder, and deeply beloved as it is in my bookish circles, I think it’s high time I crack it open and give it a try. If nothing else, my ego will have a field day feeling clever for spotting all the references.


4. Cytonic by Brandon Sanderson

Skyward, the young-adult space epic from Brandon Sanderson, has totally devoured my life. The deep love I have for Spensa and her wonderful supporting cast knows know bounds, and I have been reeling from the cliffhanger at the end of Starsight since I turned that last page. (Reviewed in my August wrap-up here.) I’m anxious to see where Sanderson takes us after that jarring and ambitious turn, and even more anxious to jump into another rousing adventure through a galaxy that’s become one of my new favorites to play in.


5. Mary Barton by Elizabeth Gaskell

North and South, Gaskell’s clear-eyed romance set in the North of England in a time of industry and turmoil, is beloved for a reason: with a strong moral core and powerful character dynamics, it’s a punch in the gut in the best way possible. Mary Barton is her first novel, similarly concerned with love, labor and class, and I can’t wait to dive in. In my limited experience with books from the 1840s, they’ve reliably tended to slap.


6. A Snake Falls to Earth by Darcie Little Badger

Last year’s Elatsoe (reviewed here), a brilliant murder mystery with a fabulist twist, was a rare treat. Following Ellie, a Lipan Apache teenager who, with the help of her dog’s ghost, uncovers a conspiracy in a magical America mostly like our own, it offers a surprising combination of elements that seem like they shouldn’t work together, but do, and like a dream, at that. Little Badger’s follow-up, a fantasy that takes its cues from Lipan Apache storytelling, sounds magnificent. If it’s anything like her first, I’ll be absolutely falling over myself with praise.


7. Sense and Sensibility by Jane Austen

I’m about halfway through Jane Austen’s body of work––Mansfield Park I adored, Persuasion I was rather fond of, and Emma…we don’t discuss. Sense and Sensibility doesn’t get talked about as often as its all-but-ubiquitous sister, Pride and Prejudice, but it has its loyal fans all the same, and for my part, I hope to be one of them. I’ll say this right now, though: I doubt it’ll top Mansfield Park (very little can).


8. The Queen of Nothing by Holly Black

At great injury to my pride, this wildly popular series has won my heart in its entirety. (The saga is chronicled here.) Alas, all things must end, and it’s time for me to make my way to the divisive final book. I can’t say with any conviction what I think my opinion will be, but as it stands now, it’s been far too long since I’ve read about Jude Duarte, and I’m itching to return to Faerie, especially because that plot twist at the end of The Wicked King was just rude, on Holly Black’s part. Honestly.


9. Troilus and Cressida by William Shakespeare

For the past couple months, I’ve been making my way through my ancient Complete Works at about a play a week, and after adoring Measure for Measure, I’ve grown ever more intrigued by the two other comedies classified as “problem plays,” stories with a happy ending, technically, that still tow the line between comedy and tragedy. All three are later plays, generally thought to hold a healthy dose of complexity and contradiction, and with how gracefully Measure for Measure straddled these tonal opposites, I can only hope that Troilus and Cressida, Romeo and Juliet‘s more cynical cousin, serves up the same. I’m equally excited for All’s Well That End’s Well, though.


10. The Faithless Hawk by Margaret Owen

This sequel to Margaret Owen’s The Merciful Crow has a promising point of departure. I’m always down for overthrowing the reigning monarch in fantasy, and with Owen’s tightly-controlled scope and thoughtful take on magical caste at the helm, The Faithless Hawk‘s odds look really good. I’m hoping the prose holds up a little better in action scenes, but even if it doesn’t, there’s a lot to love about this story: dialect woven gracefully into the narration, a slow-burn, platonic hate-to-begrudging-respect subplot, and of course, the cat. I would die for Barf without hesitation. ❤


Thus ends the first TBR post of any kind I’ve written for the blog! How are your fall reading plans? I’d love to hear about the books you’re looking forward to, or your thoughts on any of mine, in the comments 💕

Top Ten Tuesday: Books I Wish I Could Read Again For the First Time

Top Ten Tuesday is a series hosted on That Artsy Reader Girl! This week, we’re beating on, boats against the current, borne back ceaselessly into the past…


1. Dark Star by Bethany Frenette

For whatever reason, superhero fiction in the YA realm (unless it’s from an existing property or a wildly popular author) tends to get lost to time. Dark Star and its sequels are a tragic case study. When I picked it up in 2015, I fell headfirst into its unique mythos, charming romance, and community-heavy take on having––and sharing––magical powers. I wish I could revisit it with fresh eyes, if only because superhero stories that strike my fancy are so rare that I’m starved for them (Marissa Meyer’s delightful Renegades notwithstanding).

2. Matched by Ally Condie

The era of dystopians yielded many favorites for me, but there is much I owe in particular to Matched, a lyrical take on the genre that taught me the value of contrasts: poetic prose against a stark and oppressive setting, a distinctly literary sensibility against a category with fast-paced, eventful expectations. It’s striking how much of this approach ended up in my own writing, and I want nothing more than to rediscover it afresh, and feel eerily known by the way it’s already shaped me.

3. The Vanishing Season by Jodi Lynn Anderson

This is a pick I make because, regrettably, I worry an actual reread might degrade my opinion. The risky ending is wistful and cathartic when it comes as a surprise, but I’m nervous that reading it with foresight will sap it of its narrative power. Paranoid? Perhaps, but there’s real credence to the “right book, right time” phenomenon, and, occasionally, it just so happens that the time can come only once.

4. Delirium by Lauren Oliver

Delirium is another case of bleak world/flowery prose, but one with totally different results. Where the world of Matched is sleek and futuristic, Delirium‘s is gritty and lived-in, more the faded remnants of our world than a brand-new one built atop its ashes. Discovering Delirium was a singular mesmerism, one I find myself grasping for with every subsequent reread.

5. Between Us and the Moon by Rebecca Maizel

At the helm of this honest, moving coming-of-age story is a tame, nerdy protagonist chafing against her family’s expectations of her: at fifteen, she’s still being stuffed into frilly pink dresses and thought of as the “kid” of the family, her inexperience taken to mean immaturity. Seeing someone like her on the page was such a relief for my high school self––one that’s become an unreachable standard for contemporary books, by the way––and while I don’t want to go back, necessarily, there was something really special about it.

6. The Catcher in the Rye by J. D. Salinger

This much-maligned classic (mostly for its protagonist) is another case of seeing my unspoken worries put to paper, and, where it concerns this book, I also suspect that the ending might not work its same magic on me again. To be sixteen and sobbing to Arcade Fire after turning the last page is a powerful experience, but sadly (or perhaps happily?) a fleeting one.

7. The Three Musketeers by Alexandre Dumas

Having read this at fourteen and found a lot of it to be almost impassably dense, I get the sense that my inexperience with classics at the time led me to miss out on some of the fun. It’s thought to be one of the more swashbuckling of the bunch, and I’m sure I’d think so now, but freshman-me probably bit off a bit more than she could chew, and lost some suspense to having been an extra in a stage adaptation of the story, besides.

8. Shadow and Bone by Leigh Bardugo

Meeting the Grishaverse through its very first entry, in eighth grade, was utterly magical. I raved about it in one of my very first reviews, noting the lush setting and delectable love triangle––arguably, the start of my multi-shipper sensibilities––and there’s no doubt the Netflix series would have absolutely devoured my life were it around back then. Luckily, Shadow and Bone has generally kept its delight for me, but there’s just no recreating the shock I felt at that, admittedly, rather predictable plot twist, and as much as I still adore those kiss scenes, having them more-or-less memorized isn’t exactly conducive to a thrill.

9. Cinder by Marissa Meyer

What can I say? The Lunar Chronicles was a powerful tincture for my fraught middle school years. With an adventurous kick and a setting that perfectly strikes the balance between futuristic and fanciful, these books breathed into me a passionate love for space operas, and I’ve been chasing something that can quench my thirst for them ever since. I want to chance upon Cinder again almost as much as I want to have seen “Jupiter Ascending” in theaters during its devastatingly short release.

10. Percy Jackson and the Lightning Thief by Rick Riordan

My nostalgia for Percy Jackson and the Olympians is comparatively recent; I finished the series just last year. But even in so short a time, I’ve started thinking of these books wistfully. It was 2020 for goodness’ sake, but Riordan, somehow, has me wishing I could go back.


Thus concludes my first edition of Top Ten Tuesday! Thank you so much for reading, and feel free to tell me all about the books you want to return to, in the comments 💕