1. The Raven Boys by Maggie Stiefvater
Immensely popular among my bookish friends, Maggie Stiefvater’s Raven Cycle series has been imposed onto my radar for some time. Following Blue Sargent, a non-psychic from a family full of seers, and an ensemble of private school boys obsessed with the burial site of a legendary Welsh king, the series’ devoted fans are legion, and I look forward to finding out whether I’ll be among them. My history of fantasy with paranormal leanings is mixed, but having just begun the book, I’m intrigued. Stiefvater’s prose is witty and apt, and she paints her many characters vividly, albeit with a broad and hurried brush. If my first impressions are to be trusted, I’m in for a treat.
2. As You Like It by William Shakespeare
Still making my way through my Complete Works, I find myself eagerly awaiting this one: a lighthearted pastoral full of romantic misadventures and home to one of Shakespeare’s most iconic settings, the Forest of Arden. I saw it staged years ago, and little memory of the plot remains, but I can always find something to love in the Bard’s comedies, and I shall be bereft when I’ve made my way through them all and there are no new ones left to discover.
3. Gilded by Marissa Meyer
Marissa Meyer, the author of The Lunar Chronicles, Renegades, and, most recently, Instant Karma, pretty much owns me now, and I’ve made my peace with it. Her new book, Gilded, is a venture into the realm of fantasy and a retelling of Rumpelstiltskin, promising deadly court intrigue and sinister magic. For my tastes, Meyer is fairly dependable for great character dynamics and vibrant worldbuilding, and I’m eager to see how these talents express themselves in her return to fantasy (which she visited briefly with 2016’s standalone, Heartless).
4. The Excalibur Curse by Kiersten White
First things first: I love the Camelot Rising trilogy and I wish it didn’t have to end. But, if it must, I have high hopes for its concluding volume. Kiersten White’s approach to beloved figures from Arthuriana is fresh, compelling, and often even surprising. The domestic-minded approach of her worldbuilding––special attention to young women and maidservants, an element of domestic labor entwined with the magic––gives a well-trod legend appropriate new focus. I would be remiss, however, if I neglected to mention my deep investment in the romance department: I’ve spent the past year on the edge of my seat over Guinevere’s endgame, and if it’s not Arthur, I’ll be devastated (but, because it’s Kiersten White, in a good way).
5. Red Tigress by Amélie Wen Zhao
The sequel to her 2019 debut fantasy Blood Heir, Amélie Wen Zhao’s Red Tigress follows the Crown Princess Anastacya as she tries to wrest back control of her troubled kingdom. Zhao’s is precisely the kind of fantasy I need to return to every now and then: bloody, detailed, and far more about the criminal underbelly of her Russian-inspired Cyrilian Empire than it is about the throne rooms and royal soirées. While the royal power struggle didn’t immediately grab me, the rebellion subplot––and the ethical complexity of the charismatic romantic lead––did, and I’m eager to see where the sequel takes us.
6. A Sorrow Fierce and Falling by Jessica Cluess
The final volume of Cluess’ Kingdom on Fire trilogy, A Sorrow Fierce and Falling, takes place in a Victorian England teeming with inter-dimensional monsters, where the magic needed to defeat them is caught in a reductive, repressive class system that’s sustained a litany of strategic losses in the face of crisis. In the first two books, Cluess makes quick work of stringing excellent tension amidst her courtly drama, while also astutely critiquing the system that created it. Even though the second book, A Poison Dark and Drowning, fumbles some of book one’s promise, I look forward to devouring book three. Enthralling worldbuilding, compelling dynamics, and a fraught web of romantic entanglements are sure to make this one a delight.
7. The Lord of the Rings by J. R. R. Tolkien
Here’s something I doubt you know about me: I was obsessed with The Lord of the Rings as a fifth grader. In the meantime, I’ve let my obsession rest, but, having re-read The Hobbit last year, I think it’s finally time to rekindle my love of Middle Earth. Coming to it as an adult with more-developed tastes is bound to be an interesting experience, but, if anything, the years I’ve spent in fantasy better prepare me to appreciate where much of it came from. A few more fond memories, though, wouldn’t hurt, either.
8. Apollo’s Angels by Jennifer Homans
I’m, admittedly, rather weak on nonfiction, but this thick, extensive history of ballet by a dance critic whose work I admire caught my eye a while back. Stretching hundreds of years and packing an impressive bibliography, Apollo’s Angels intimidates me, but I’m apt to the challenge. In the past year, I’ve been loving all things ballet: taped productions from Sleeping Beauty to A Midsummer Night’s Dream, documentaries like A Ballerina’s Tale and Ballet 422, and now, hopefully, books! I can’t promise I’ll become a prolific nonfiction tome reader from now on, but, fingers crossed––this looks like a promising start.
9. Star-Touched Stories by Roshani Chokshi
Roshani Chokshi’s The Star-Touched Queen is a spellbinding, lyrical fantasy with immaculate prose, and its companion novel, A Crown of Wishes, is even better. Star-Touched Stories, a collection of short stories from the world of both, is a tantalizing offer for a lover of the books, and I was thrilled to discover it after finishing A Crown of Wishes with the distinct suspicion that I’d never recover. Chokshi, as mentioned, writes beautifully, and I can’t wait to see her fairy-tale flair put to use in the medium of short story.
10. A Woman of No Importance by Oscar Wilde
I loved Oscar Wilde’s Lady Windermere’s Fan and The Importance of Being Earnest, so it’s only natural that I continue on in my anthology and make my way to another, no doubt, delightful comedy of manners. I’m looking forward to another jaunt with Wilde’s banger dialogue, and I’m always down for a 19th-century social satire, so this’ll make for a fitting play to round out the year. I’m also eager to see if it unseats Lady Windermere’s Fan as the reigning favorite––though it’s the least popular of Wilde’s “drawing room” plays, I have high hopes.
Thank you so much for reading! What are your winter reading plans? Have read/want to read anything on this list? I’d love to hear your thoughts in the comments below 💕